Sometimes I sympathise a little with Thierry. He may be able to console himself with the fact that he owns and runs what is widely accepted as the most prestigious watch company in the world, but he still has the burden of having to succeed his father. Philippe Stern is one of the hardest acts in horology to follow. One of his many achievements is the 3970. This classic chrono-perpetual combination enjoyed a nearly 20-year run before Philippe Stern decided that it was time to retire it and have his son design a Replica Rolex GMT-Master II totemic watch.

I've spoken to Thierry many times about this moment and even though the Replica Rolex GMT-Master II watch is now a classic, his normally unruffled features still reflect the significance of what his dad had asked him todo. Looking back, it was a test for me to see if I had grown up in the design department at Replica Rolex GMT-Master II. My father only told me to "make your own choices."www.replicatimepiece.com

Replica Rolex GMT-Master II is a private company. As such, it does not have the same jerkiness as other companies. A new president takes over at Replica Rolex GMT-Master II and must make their presence known by rushing new models onto the market. Thierry was given time to find the right balance between demonstrating continuity and differentiation. "I had no doubt this was a huge responsibility, and I was not goingto rush. In fact, it took us two years tofind the right design for this piece."

During his time at Ateliers Réunis, the case and bracelet workshop which now houses the Museum, he learned that designing a Replica Rolex GMT-Master II was different from designing a good watch.Omega Constellation Replica Watches Stern has no set road map. He decides what constitutes a Replica Rolex GMT-Master II, depending on who is in charge. "I decided to create a timepiece that my father and I could wear, a piece that was suitable for both generations. For me it is one of the few pieces, perhaps the only piece, which is a mixoftwogenerationsof theSternfamily.

"The production at the time was a challenge and when I made a prototype I liked, it was said that it wasn't possible to produce in large quantities. It was difficult to design new lugs which were both strong and refined. The angles were difficult to polish. You had to respect them, and after polishing, they needed to be sharp. But thanks to my apprenticeship at Ateliers Réunis, I didn't take 'no.' as an answer. We found a solution in the end."